Best of 2018

Featured

**** not arranged by preference ****

1. Courtney John: Ecosystem (Soul Fire, 2017)

A perfectly crafted combination of old school roots reggae flavors with a great band and a singer I like a whole bunch. The band is tight and relaxed simultaneously with space for organ solos, guitar business, etc.

2. Guy One: #1 Best (Philophon, 2018)

A unique large ensemble African record from Ghana that sports elements of Afrobeat this record smokes from beginning to end. Great playing, great singing and high energy. This is about as good as music gets. I have spun the fuck out of this record all year.

3. Melissa Laveaux: Radyo Swivel EP (No Format, 2018)

It must suck to be a Williamsburg indie hipster and see how a Haitian Canadian woman who lives in Paris does your hipster indie songwriter thing better than you could dream of.

4. Magrudergrind: II (Relapse, 2016)

All the players in the band are above average and they are tighter than a welldigger’s ass in the middle of the winter but it’s the drummer who takes the gold star. He thrashes, he sprays, he grooves, he drives the bus.

5. Irreversible Entanglements: Irreversible Entanglements (International Anthem, 2017)

This free jazz trio plays really well but the woman on the microphone doing the spoken word part is the star here and they burn all the way through. She coughs up more than a few cutting lines, especially in the first piece. Check it out.

6. Los Texmaniacs: Cruzando Borders (Smithsonian Folkways, 2018)

This is a beautiful and super musical mariachi record regardless of the politics involved here. Needless to say Trump is a fucking asshole and I’m a fan of Mexican culture. I’m particularly impressed with the accordion player but I’m super into accordion. Everybody in this band plays and sings at a super high level.

7. The Ballantynes: Liquor Store Gun Store Pawn Shop Church (La Ti Da, 2013)

If you took the Blues Brothers and put ’em in flannel shirts and gave them a lot of any old school white trash beer and removed the horn section and the frat boy bullshit you would have something very close to this record. It’s a guitar driven soul/rock record with a lot of guitars, a male and a female singer that both do good work with a slap-tastic ramped up band.

8. American Lips: Kiss the Void (Ancient Fashion, 2017)

It’s not easy to make a mainstream hooky rock record and have it sound fresh. These guys do a good job of recreating an early ’80s half punk/No Wave kind of thing but with a pop sensibility and plenty of hooks.

9. 700 Bliss: Spa 700 (Don Giovanni, 2018)

Organic electronic production and a pleasantly confrontational African American female MC/singer/spoken word artist headline this EP. A friend of mine says this has a retro electro feel but I’m not schooled enough in old school electro to know.

10. Tim Hecker: Konoyo (Kranky, 2018)

Tim Hecker’s new record, Konoyo, is dark. And it’s also unsettling. It’s also extremely well put together and beautiful. It is an ambient music record without drums or over rhythms with an emphasis on metallic sounds and bell like sounds

11. Shad: A Short Story About War (Secret City, 2018)

The lyrics on this record outperform — smart, conceptual, well thought out. It’s called a concept record but I think that’s bogus. Just because an MC is intelligent enough to connect warmongering with capitalism does not a concept album make. It’s called thinking motherfuckers.

The arrangements here are really good with no particular bent except maybe a retro thread — there are some jazzy sounds and mellow ones and there are more driving and urgent arrangements (for example the tune clipped below).

12. Vaudou Game: Otodi (Hot Casa, 2018) A tour de force of all funk genres with an absolutely ripping drummer and fantastic band energy. It’s hard to believe humans can be this funky.

13. Open Mike Eagle: Brick Body Kids Still Daydream (Mello Music, 2017)

I got to this hip hop record at the very beginning of this year but have struggled as to whether to put it on the ’17 or ’18 list so I’m going to put it on both as it’s that good. Incredibly well done lyrics and ear catching (but not poppy per se) arrangements take listeners to a whole ‘nother place. I can’t begin to praise the way this record is put together and executed, it’s hip hop and beyond hip hop at the same time.

14. Paul de Jong: You Fucken Sucker (Temporary Residence, 2018) In an era of shiny, happy people taking our civilization right over the cliff de Jong mixes the personal and implies the political with a tune like You Fucken Sucker. In addition to that nugget of true indie misery the ambient pieces towards the back of the record could be portraits of the opioid mind or the economically downtrodden or the millions of disconnected folks out there. Life is messy as fuck but rarely does that mess make it onto wax and the interwebz. DISCLAIMER: I worked on this record and I work with this musician.

15. Hernan Sama & Marcelo von Schultz: Sonidos desde el camp para los animales y la vida salvaje (Self-released, 2018)

What makes a great free jazz hit? It’s a slippery question. This self-released sax/drums set ticks all the boxes for me. A little Ayler, a little Mu Sessions and just a freshness to the playing or a desire to play what other people might expect.

16. Tal National: Tantabara (Tal National/Fat Cat, 2018) I don’t usually go for the super stuffed songs but the melodic complexity of the guitarists combined with the drummer and the active singers makes for a glorious hot African mess. When they lean into the central grooves of the tunes it is ecstatic in nature.

17. Gouge Away: Burnt Sugar (Deathwish Inc, 2018) I have a soft spot for the angry female punk singers. Though these guys get into more than straight ahead power chord punk bashing they sport a classic up in your grille attitude. I don’t idolize the gent but it has that ragged Nirvana Bleach era energy and the drummer here kills it. They all kill it.

18. Babylon Trio: Habibi (Rebel Up, 2018)

Iraqi refugee musicians tear it up with Arabic street music flavored with euro club flourishes and some of the cheesiest and partyistic synth patches in years. The energy and the messiness of it is so refreshing. It’s ‘I don’t give a fuck’ messiness and not ‘I can’t play straight’ messiness.

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Music for 12/7/18!!! Soccer Mommy, Esperanza Spaulding, Jupiter & Okwess

@@@ Soccer Mommy: Clean (Fat Possum, 2017) Both of the NY Times music writers have this record on their best of year list. Both writers! Once again showing the music coverage at the Times is a bag of ass. I find this downtempo guitar indie record unengaging and pretty derivative. Nothing particularly noteworthy in the lyrics or the music and it affirms the worth of mopey white people music when it shouldn’t be affirmed. But then again the Times put Arianne Grande’s record on the list and listening to that record is akin to drinking a quart of dirty dishwater. It’s not surprising the New York Times as a quiet proponent of white supremacy would single this record out of the thousands released this year for notable recognition.

@@@ Esperanza Spalding: 12 Little Spells (Concord, 2018) Another New York Times best of year choice. I come to this record prejudiced as I do not like Spalding — I find her technical skills to be plentiful but there’s a coldness and lack of soul to her music and these tunes only serve to reinforce that perception. This first tune is more symphonic prog rock than it is jazz. I like this second tune more, the singing is quite nice but I predict it’s going to collapse into a proggy mush….and there we go. I define a great record as one that you want to play over and over again and you continue to find things in the record that deepen the listen. I see this record as a work of technique with moments of beauty and that’s not my definition of a great record.

@@@ Jupiter & Okwess: Kin Sonic (Everloving Records, 2018) This is another New York Times record they call it ‘magnificently funky’. If this first power rock funk inflected tune is any indication this record is not going to come close to the funkiness of Vaudou Game. I’m on the third tune and I like this record but to be honest it’s more of a rock record than a funk record. It’s got some funk in it but it’s a thread and not the core. Stick with Vaudou Game. A lot of chanted vocals, some funky guitar and a drummer that rocks.

YTD recordings listened to: 676
Good music, not recommended for purchase: 368
Not good music: 263

Best: 16
Honorable Mentions: 8

Possibles: Retox, Defeater, Jonwayne, Okkyung Lee, Slidhr, The Chewers, Susie Iberra/Roberto Rodriguez, The Coral, T.O.M.B., Lozen, Erase Errata, Mastery, Hartley C. White, Weed, Cold Water, Janelle Monae, Luther Dickinson, Graeme Barrett, Fast Asleep, Goldlink, Cavanaugh, Satoko Fuji, Moken, Juan Atkins, Lantern, Twin Peaks, Djelimady Tounkara, The Oh Sees, Denny Zeitlin, MILF, Unfun, De La Soul, Carl Sagan’s Skate Shoes, A Tribe Called Quest, Noname, Klara Lewis, Krullur, The Lowest Form, Hard Proof, Yotoco, Jungle Fire, Sandoz, Oddisee, RAM, Fiver, Succumb Succumb, Gloom, Priests, Propaganda, This is the Kit, Roberto Gonzalez, Integrity, Tuba Skinny, The Expanders, Converge, Criolo, Billy Strings, Flowers of Sulphur, Portal, Lawaii, Etran De L’Air, Ruby Karinto, Elysia Crampton, Parquet Courts, Moskus, Kendl Winter, Tkay Maidza, Barro, Daniel Khan, Tallawit Timbouctou

Music for 12/3/18!!! Babylon Trio, Zazou Bikaye, ZAYN

@@@ BABYLON TRIO: Habibi (Rebel Up, 2018) Off this week’s WRIR playlist email.  Three Iraqi musicians emigrate to Belgium as refugees and make music.  I guess you could fool yourself into thinking that this would be a reggae record but these guys hail from the original Babylon, you dig.  It’s Middle Eastern music with a fair amount of weird modern sounds combined with traditional playing.  It’s pleasantly mental.  On their bandcamp they describe themselves having a street sound and I agree with that.  I like all the musicians — the percussionist is energetic while the keyboard player pumps out clouds of weird patches and pretty hot playing.  Some of these synth patches are cheesy ass Casio like sounds but then he starts running up and down the keyboard.  I’m going to circle back on this record, it’s hot and weird.

@@@ ZAZOU BIKAYE:  Na Kenda [EP]  (Crammed, 2018)  I’m not sure what’s going on with this two track tune.  I’m guessing it’s a re-issue as it’s on this week’s WRIR playlist email while Apple Music says it was released in 1988.  It sure contains ’80s sounds arranged in a world music/disco type of aspiration.  I find the electronic squirles and the bells to give a lot of energy and funk to the track.  I appreciate it while not super digging it.

@@@ ZAYN: Rainberry (Vampisoul, 2018)  White boy funk/soul a la Justin Timberlake.  Some medium funky sounds, some falsetto vocals and we’re off to the races.  He comes out of the falsetto for the chorus and I can’t begin to tell you what a rainberry is.  He is definitely smack talking somebody but I could really give a fuck.  This is strictly a panty quaker for the ladies (and the gay gents).  If you’re not into him it’s a pretty average tune.

YTD recordings listened to: 664
Good music, not recommended for purchase: 360
Not good music: 260

Best: 11
Honorable Mentions: 8

Possibles: Retox, Defeater, Jonwayne, Okkyung Lee, Slidhr, The Chewers, Susie Iberra/Roberto Rodriguez, The Coral, T.O.M.B., Lozen, Erase Errata, Mastery, Hartley C. White, Weed, Cold Water, Janelle Monae, Luther Dickinson, Graeme Barrett, Fast Asleep, Goldlink, Cavanaugh, Satoko Fuji, Moken, Juan Atkins, Lantern, Twin Peaks, Djelimady Tounkara, The Oh Sees, Denny Zeitlin, MILF, Unfun, De La Soul, Carl Sagan’s Skate Shoes, A Tribe Called Quest, Noname, Klara Lewis, Krullur, The Lowest Form, Hard Proof, Yotoco, Jungle Fire, Sandoz, Oddisee, RAM, Fiver, Succumb Succumb, Gloom, Priests, Propaganda, This is the Kit, Roberto Gonzalez, Integrity, Tuba Skinny, The Expanders, Converge, Open Mike Eagle, Criolo, Billy Strings, Flowers of Sulphur, Tal National, Portal, Hernan Sama & Marcelo von Schultz, Lawaii, Etran De L’Air, Ruby Karinto, Elysia Crampton, Parquet Courts, Orlando Lopez, Moskus, Kendl Winter, Tkay Maidza, Gouge Away, Barro, Daniel Khan, Vaudou Game, Tallawit Timbouctou, Babylon Trio

Music for 11/15/18!!! Barro, J.I.D./J. Cole, J. Lo/Bad Bunny

@@@ Barro: Samos (self-released, 2018) Some Northern Brazilian music I got to via the weekly music reviews at WRIR in Virginia, a most excellent world music station.  It’s a blend of traditional modern Brazilian with some rock flavorings.  Also some hip hop, funk flavors. A pretty hip opening track.  The second tune gets into a more indie, feelgood vibe, but with more sophistication than 99% of indie folks out there.  There is a mellowness in this music that is not overdone and wilts the music.  The playing is tight and an interesting mash of rhythms and genre influences so it keeps itself fresh.  Big respect for how far afield the rhythm section reaches.  Check this out, it’s hip.

@@@ J.I.D. and J. Cole:  Off Deez (Interscope, 2018)  I’m a huge fan of J.I.D. — his microphone is just full on — witty, quick, all manner of flavors.  He comes out Red Bulled with his afro fully blown out on this single.  They paired his rhymes with a demented little surf rock guitar figure.  J. Cole starts slowly but he gets up in it.  It’s impossible to tell how gangsta the lyrics are because the shit is just flying past your ears.  I like this, this is super hot and fresh.

@@@ Jennifer Lopez and Bad Bunny: Te Gusta (Sony, 2018)  I’m not a huge Bad Bunny fan as I think he has a weird voice.  He sounds like he has some sort of bowel obstruction, but the last J Lo single I checked out was really good.  This is a loverboy track though I have no clue as I have zero Spanish skills but J Lo is in her underwear in the video below.  The sounds are very slick in a good way, it’s uber manicured Latino urbano, and I like it but he’s a bid of a bad burp.  Other folks who understand the lyrics might enjoy it a whole lot more.  I do all right for a gringo motherfucker but I’m not from around the block.

YTD recordings listened to: 641
Good music, not recommended for purchase: 347
Not good music: 254

Best: 11
Honorable Mentions: 8

Possibles: Retox, Defeater, Jonwayne, Okkyung Lee, Slidhr, The Chewers, Susie Iberra/Roberto Rodriguez, The Coral, T.O.M.B., Lozen, Erase Errata, Mastery, Hartley C. White, Weed, Cold Water, Janelle Monae, Luther Dickinson, Graeme Barrett, Fast Asleep, Goldlink, Cavanaugh, Satoko Fuji, Moken, Juan Atkins, Lantern, Twin Peaks, Djelimady Tounkara, The Oh Sees, Denny Zeitlin, MILF, Unfun, De La Soul, Carl Sagan’s Skate Shoes, A Tribe Called Quest, Noname, Klara Lewis, Krullur, The Lowest Form, Hard Proof, Yotoco, Jungle Fire, Sandoz, Oddisee, RAM, Fiver, Succumb Succumb, Gloom, Priests, Propaganda, This is the Kit, Roberto Gonzalez, Integrity, Tuba Skinny, The Expanders, Converge, Open Mike Eagle, Criolo, Billy Strings, Flowers of Sulphur, Tal National, Portal, Hernan Sama & Marcelo von Schultz, Lawaii, Etran De L’Air, Ruby Karinto, Elysia Crampton, Parquet Courts, Orlando Lopez, Moskus, Kendl Winter, Tkay Maidza, Marianne Faithfull, Gouge Away, Barro

Music for 11/14/18!!! Black Belt Eagle Scout, Gouge Away, Kate Danser

@@@ Black Belt Eagle Scout – Mother Of My Children (Saddle Creek)  Some indie business off this week’s CFUV playlist email.  Some identity politics around this release — the singer is an LGBT first person as in indigenous person with people at Standing Rock.  I’m a huge fan of the Standing Rock and their fight to defend themselves.  That’s outside of the music but I like this first tune.  It’s not super complex guitar indie but it feels authentic to my ear with little posing which I can’t stand.  I understanding sounding authentic is in the ear of the listener, it’s a personal preference.  I judge it by how much emotion is being put out there.  The more emotion shared the more I’m drawn to it.  The second song, Indians Never Die, is a slow one with a simple guitar vamp and simple percussion.  It’s building slowly and then it dies back down.  It’s a mopey record, at least the beginning part is and I like the singer’s voice.  Indie is a tough sell for me but I give this a B/B+.

@@@ Gouge Away – Burnt Sugar (Deathwish Inc)  Some ‘loud’ music off this week’s CFUV playlist email. Oh my, speaking of emotion and letting it all out this record hews to that concept.  Female singer at the end of her rope, or at least close to it and a band that rocks in a pleasingly sloppy ass way.  Quick grinds lurching into some other brief idea.  The second tune, Fed Up, is working bigly for me.  It’s a punk missile with little restraint — doesn’t it feel better when it all comes out?  I think so, you can’t keep all that shit inside.  I’m feeling all the members of the band from the drummer’s spray, to the stringy/splatty bass sound to the mess of guitar sounds to the singer who might need a lozenge.  Imma circle back on this bad boy.

@@@ Kat Danser – Goin’ Gone (Black Hen)  Blues/folk/roots music off this week’s CFUV weekly email.  This looks to be a laidback blues band record with a female singer.  Harmonica, upright bass, shuffling drums, you know the classics.  I like this record — really catchy guitar player and solid players at all the positions.  The production is really flattering without cheesy reverb and too much of any particular sound, and the songs are solid.

YTD recordings listened to: 638
Good music, not recommended for purchase: 345
Not good music: 254

Best: 11
Honorable Mentions: 8

Possibles: Retox, Defeater, Jonwayne, Okkyung Lee, Slidhr, The Chewers, Susie Iberra/Roberto Rodriguez, The Coral, T.O.M.B., Lozen, Erase Errata, Mastery, Hartley C. White, Weed, Cold Water, Janelle Monae, Luther Dickinson, Graeme Barrett, Fast Asleep, Goldlink, Cavanaugh, Satoko Fuji, Moken, Juan Atkins, Lantern, Twin Peaks, Djelimady Tounkara, The Oh Sees, Denny Zeitlin, MILF, Unfun, De La Soul, Carl Sagan’s Skate Shoes, A Tribe Called Quest, Noname, Klara Lewis, Krullur, The Lowest Form, Hard Proof, Yotoco, Jungle Fire, Sandoz, Oddisee, RAM, Fiver, Succumb Succumb, Gloom, Priests, Propaganda, This is the Kit, Roberto Gonzalez, Integrity, Tuba Skinny, The Expanders, Converge, Open Mike Eagle, Criolo, Billy Strings, Flowers of Sulphur, Tal National, Portal, Hernan Sama & Marcelo von Schultz, Lawaii, Etran De L’Air, Ruby Karinto, Elysia Crampton, Parquet Courts, Orlando Lopez, Moskus, Kendl Winter, Tkay Maidza, Marianne Faithfull, Gouge Away

Music for 10/18/18!!! Elvis Costello, Kurt Vile, Georgia Ann Muldrow

@@@ Elvis Costello: Look Now (Concord, 2018).  I got to the new Elvis Costello record via this week’s All Music notable release email.  I’m on the fourth tune and my favorite moments thus far have been Costello’s singing.  The band plays well, they’re a great band — the songs are more mainstream and less funky than vintage era Costello/Attractions albums.  There are some parts of the instrumental arrangements that evoke late Beatles tunes, which is interesting.  I’m swinging back to this record overnight and I feel the same — while Costello brings the vocal energy of his youth the arrangements are a bit staid which makes sense as his fans are much older now.  At certain points the more orchestrated arrangements elevate the tunes and sometimes they hold it back a bit.

@@@ Kurt Vile: Bottle it In (Matador, 2018) To say that Kurt Vile is an indie darling is an understatement.  Indie world is balls deep and nuts over Vile.  This first tune sounds like an indie, updated Tom Petty type of rocker.  Very straightforward, a little slippy slide-y in his vocal delivery but very American rock.  You can close your eyes and hear this on classic FM radio.  The second tune brings on a version of crisp Strokes type rock with, oops I had the third track going and skipped the second one.  I’m a bit sorry I went back.  The formula is pretty clear here — mainstream rock arrangements for the masses and then Vile’s voice which is a piquant blend of slack and classic.  The tune clipped below is track 4 and I like it the least of what I heard.

@@@ Georgia Ann Muldrow: Overload (Brainfeeder, 2018). There are only two pre-release tracks up on the Apple Music but it’s a welcome relief to the Kurt Vile vanilla ice cream sundae.  This is not retro soul, it’s modern drum machine and synth sounds.  The tunes are midtempo and while I’m enjoying the sophisticated sonics of the mix there’s a certain coolness and detachment to the tune.  I’m most definitely enjoying the funkier second pre-release track, Aerosol, to the tune clipped below.  Hike your asses over to the GoogleTube yourself.

YTD recordings listened to: 584
Good music, not recommended for purchase: 311
Not good music: 238

Best: 9
Honorable Mentions: 6

Possibles: Retox, Defeater, Jonwayne, Okkyung Lee, Slidhr, The Chewers, Susie Iberra/Roberto Rodriguez, The Coral, T.O.M.B., Lozen, Erase Errata, Mastery, Hartley C. White, Weed, Cold Water, Janelle Monae, Luther Dickinson, Graeme Barrett, Fast Asleep, Goldlink, Cavanaugh, Satoko Fuji, Moken, Juan Atkins, Lantern, Twin Peaks, Djelimady Tounkara, The Oh Sees, Denny Zeitlin, MILF, Unfun, De La Soul, Carl Sagan’s Skate Shoes, A Tribe Called Quest, Noname, Gouge Away, Klara Lewis, Krullur, The Lowest Form, Hard Proof, Yotoco, Jungle Fire, Sandoz, Oddisee, RAM, Fiver, Succumb Succumb, Gloom, Priests, Propaganda, This is the Kit, Roberto Gonzalez, Integrity, Tuba Skinny, The Expanders, Converge, Open Mike Eagle, Criolo, Billy Strings, Flowers of Sulphur, Tal National, Portal, Hernan Sama & Marcelo von Schultz, Lawaii, Etran De L’Air, Ruby Karinto, Elysia Crampton, Parquet Courts, Orlando Lopez, Moskus, Kendl Winter, Tkay Maidza, Peregoyo y su Combo vacana, serpentwithfeet

Music for 10/15/18!!! Neneh Cherry, SASAMI, Orkid, Bad Bunny

@@@ Neneh Cherry: Kong (Small Town Supersound, 2018). A pre-release single by ’80s singer Neneh Cherry.  Produced by 4tet who I am a fan of.  Not a fanboy, but a fan.  It’s a trip hop track with a dub baseline, a slow piano arpeggio, and some dark echo effects.  A simple open hi hat pattern with kick drum drive the tune.  The tune finds a nice groove but doesn’t progress much during it’s 4:24.  I could have used more than what is on offer.

@@@ SASAMI: Not the Time (Domino, 2018).  A shoe gaze single I got to via tracks of the week at Line of Best Fit.  The guitars a little less stormy than what you would expect and it has a keyboard, but the intimate and confessional vocals nestled in the middle of the mix are classic.  Solid B.

@@@ Orkid: No Noh (Shir, 2018). Mainstream electro pop off the Line of Best Fit tracks of the week.  Female singer doing an up and down melody, low medium funky drum machine beat, though there is a nice echo on one of the drums.  There’s not a lot to the arrangement outside of beat and the vocals so if you don’t like the singer (I’m not a huge fan) then you won’t jump and down over this.  As always, listen for yourself.

@@@ Bad Bunny: MIA (OVO, 2018). Drake breaks the internet as he appears on this Latin single and does his loverboy thing entirely in Spanish.  It’s good to see he’s as buttery soft in Spanish as he is in his native tongue.  Bad Bunny is pumping out the sugar for the ladies as well as this is almost Halloween candy for your ears.  There are some nice drum beat variations in the back end of the tune but this is pretty disposable as again there’s not much here after the beat, the baseline and the microphone work.

YTD recordings listened to: 578
Good music, not recommended for purchase: 308
Not good music: 235

Best: 9
Honorable Mentions: 6

Possibles: Retox, Defeater, Jonwayne, Okkyung Lee, Slidhr, The Chewers, Susie Iberra/Roberto Rodriguez, The Coral, T.O.M.B., Lozen, Erase Errata, Mastery, Hartley C. White, Weed, Cold Water, Janelle Monae, Luther Dickinson, Graeme Barrett, Fast Asleep, Goldlink, Cavanaugh, Satoko Fuji, Moken, Juan Atkins, Lantern, Twin Peaks, Djelimady Tounkara, The Oh Sees, Denny Zeitlin, MILF, Unfun, De La Soul, Carl Sagan’s Skate Shoes, A Tribe Called Quest, Noname, Gouge Away, Klara Lewis, Krullur, The Lowest Form, Hard Proof, Yotoco, Jungle Fire, Sandoz, Oddisee, RAM, Fiver, Succumb Succumb, Gloom, Priests, Propaganda, This is the Kit, Roberto Gonzalez, Integrity, Tuba Skinny, The Expanders, Converge, Open Mike Eagle, Criolo, Billy Strings, Flowers of Sulphur, Tal National, Portal, Hernan Sama & Marcelo von Schultz, Lawaii, Etran De L’Air, Ruby Karinto, Elysia Crampton, Parquet Courts, Orlando Lopez, Moskus, Kendl Winter, Tkay Maidza, Peregoyo y su Combo vacana, serpentwithfeet