Music for 10/11/17!!! Peach Pyramid, Kelela, Chelsea Wolfe, New Kingston

@@@ Peach Pyramid: Repeating Myself (Oscar St, 2017) Indie rock off this week’s CFUV playlist email.  Mad dreamy, super arpeggiated guitars.  I guess they’re either arpeggiated or not, there’s no super arpeggiated.  Not super, but they’re super twee.  Female singer, slack and straight than straighter rock beats.  There’s not a lot to go on about here so I don’t want to waste anybody’s time.  It’s shiny guitar indie done in the classic style.  It’s like trying to describe Domino’s pizza — the shit is mad salty and you either get with it or you don’t eat it.

@@@ Kelea: Take Me Apart (Warp, 2017)  I’ve seen posters for this record up in Brooklyn and given the state of the music industry it’s a bit shocking to see an indie label laying out for street posters.  The production here is ultra slick but more than just a repetition of retro electronic soul.  It’s being marketed as a super confessional record which I’m down with but her delivery is pretty smooth and doesn’t evoke any confessional vibe to my ears.  She rocks a pretty straightforward sultry and lush vibe.  The arrangements overshadow the vocals here by just a bit — I find my focus to be on the beats and the bass and I’m not noticing her lyrics or hearing her voice as more than a soft overlay.

@@@ Chelsea Wolfe: Hiss Spun (Sargent House, 2017)  I was going to say more femme indie but these ladies came on dark, grungy, and unhappy.  Like Harvey Weinstein’s Ass Ball Connector!  Not to demean this fine band.  Very tasty fuzzy bass sound, wailing and dyspeptic guitar squall and arena rock drumming.  Let’s peep a bit more.  There’s more than a bit of art school to this heavy rock.  It’s slow like Jane’s Addiction but without Perry, you know Perry.  If PJ Harvey was grafted onto Jane’s Addiction’s torso without so much arena flavor.  It’s pretty good — it’s a bit restrained for my taste.  When I want a hot mess or a sonic dumpster fire I want a real fucking mess.  This is pretty manicured (like Harvey Weinstein’s Ass Ball Connector)?  #inappropes

@@@ New Kingston: A Kingston Story: Come From Far (Easy Star, 2017)  I saw a music publicist email about this up and coming reggae band.  This first tune sports both a thick bass and a shiny modern pop production.  Concious lyrics with some dub elements.  It’s a full reggae ensemble from hand percussion to background vocalists to bubbling organ.  I respect the spirit of the record but I’m not a fan of tunes like the fifth one ‘Agape’.  It’s a Hollywood/reggae vibe they’re working.  I prefer the old school sound and vibe.

YTD recordings listened to: 660
Good music, not recommended for purchase: 354
Not good music: 280

Buys: 8
Honorable Mentions: 6

Possibles: Chris McGregor, Retox, Defeater, Jonwayne, Okkyung Lee, The Ballantynes, Slidhr, The Chewers, Toxic Holocaust, Susie Iberra/Roberto Rodriguez, Lenguas Largas, The Coral, T.O.M.B., Lozen, Erase Errata, Mastery, Leviathan, Hartley C. White, Weed, Cold Water, Janelle Monae, Luther Dickinson, Graeme Barrett, Fast Asleep, Goldlink, Cavanaugh, Gentleman Surfer, Satoko Fuji, Moken, Juan Atkins, Lantern, Twin Peaks, Djelimady Tounkara, The Oh Sees, Denny Zeitlin, MILF, Unfun, De La Soul, Carl Sagan’s Skate Shoes, Magrudergrind, A Tribe Called Quest, Noname, Gouge Away, Anna Hogberg, Klara Lewis, Krullur, The Lowest Form, Hard Proof, James Brandon Lewis, Yotoco, Jungle Fire, Sandoz, J.I.D., Oddisee, Forro in the Dark, RAM, Fiver, Dona Onete, Succumb Succumb, Gloom, Priests, Propaganda, This is the Kit, Roberto Gonzalez, Integrity, American Lips, Sudan Archives, Tuba Skinny, The Expanders, Benjamin Booker

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Music for 8/1/17!!! Control Freaks, Zack Keim, Ego Kill Talent

@@@ Control Freaks: Mindless Entertainment (Slovenly, 2017)  Some old school, big mouth punk off this week’s CFUV playlist email.  Think the Sex Pistols without the opioids.  There’s a more than a dash of humor to this high energy punk rawk with lots of call and response vocals and singers taking their turns on the mic.

@@@ Zack Keim: First Step (Get Hip Recordings, 2017)  A young man takes his Bob Dylan obsession out into the world.  It’s quicker to say what’s not Dylan influenced than it is to say what is not Dylan influenced.  His strumming, the tone of his voice, his delivery, he’s got it going on.  Well the second tune thankfully drops the Dylan love with a different tone, slower arpeggiated guitar playing and a different tone of voice.  This third tune is a folk Radiohead kinda tune — mournful, slow, he shoulda put this tune first.  I think Keim is off to a decent start but he has to find a more distinctive voice for himself.  Just my opinion.

@@@ Ego Kill Talent: My Own Deceiver (Elemess, 2017)  A mainstream glam rock single I got to via the Indiepulse music blog.  Think Marilyn Manson without that tremendous prickface Marilyn Manson.  The guitar riffs are pretty standard and the singer is all right but maybe a tad soft.

YTD recordings listened to: 494
Good music, not recommended for purchase: 270
Not good music: 202

Buys: 8
Honorable Mentions: 6

Possibles: Chris McGregor, Retox, Defeater, Jonwayne, Okkyung Lee, The Ballantynes, Slidhr, The Chewers, Toxic Holocaust, Susie Iberra/Roberto Rodriguez, Lenguas Largas, The Coral, T.O.M.B., Lozen, Erase Errata, Mastery, Leviathan, Hartley C. White, Weed, Cold Water, Janelle Monae, Luther Dickinson, Graeme Barrett, Fast Asleep, Goldlink, Cavanaugh, Gentleman Surfer, Satoko Fuji, Moken, Juan Atkins, Lantern, Twin Peaks, Djelimady Tounkara, The Oh Sees, Denny Zeitlin, MILF, Unfun, De La Soul, Carl Sagan’s Skate Shoes, Magrudergrind, A Tribe Called Quest, Noname, Gouge Away, Anna Hogberg, Klara Lewis, Krullur, The Lowest Form, Hard Proof, James Brandon Lewis, Yotoco, Jungle Fire, Sandoz, J.I.D., Oddisee, Forro in the Dark, RAM, Fiver, Dona Onete, Succumb Succumb, Gloom, Priests, Propaganda, This is the Kit, Roberto Gonzalez, Integrity