Music for 9/27/22!!! Nnux, The Comet is Coming

@@@ Nnux: Ciudad (VAA, 2020) I got to this female Mexican electronic artist via a gig announcement at BK adventurous club Roulette. She puts out a pretty sophisticated electro sound. I’m on the fourth track (clipped below) and it’s really big basket of electronic sounds all woven together. Nothing on its own insane, well some parts yes, but the collective impact is a take me away from this world vibe. I don’t have a time to get super into the nooks and crannies of this record but from what I’ve heard it’s a mid to slow tempos with female vocals, a lot of manipulation of voices, a fairly large dollop of glitch sauce, and a cornucopia of electronic bits swirling. It’s very passionate and well done, at least what I’ve heard. Check this out if you’re a fan of abstract electronic, some folks might find these sounds too intense.

@@@ The Comet is Coming: CODE (Impulse/Verve, 2022) Off this week’s All Music notable release email and it’s marketed as an electro futurist jazz release but this track is comin’ up straight krauty funk to my ears. I will check this record out a bit more manana when I do the post proper but first impression is that a bunch of folks said let’s make a jazz/funk record with a sci fi bent to it and then it kinda happened. I see from the Apple Music blurb this is the UK part jazz/part dancefloor collective and Shabaka Hucthings that I like but don’t love. I give respect to anyone trying to expand the palette of jazz, but a lot of the time it hasn’t worked for me. I am, however, proven a liar as I type because the second track Technicolor is a pretty nice fusion of sounds — a really good balance of jazz to non-jazz sounds. So a hit today and yesterday not so much which is the very definition of a mixed bag.

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