@@@ Tom Prekop/John McEntire: Crossing at the Shallow (Thrill Jockey , 2022) A coupla listens off this week’s 10 most reviewed albums via Pitchfork email. Slotted as ambient on Apple Music this is the second track on the album and it comes out grooving with a classic techno beat. It’s not the only beat happenin’ (great!) and there’s some interesting shit going on in here — to reduce them to squiggles and sheets of sound is a bit degrading but there’s there’s some melodic funk/junk on top that really breaks the rigidity of the beat. This is a record with four tracks and the shortest banger on here is just shy of 9 minutes so buckle in as they’re gonna stretch you shit out. I’m checking out the first track, A Ghost at Noon, and it comes on with some nice sci-fi/space synths. I will hang for the full flowering of the track as I hear the hi hat coming, now the kick. Not a lot of ambient dancefloor music is gonna have this level of melodic development so get with that.
@@@ Chat Pile: Slaughterhouse (The Flenser, 2022) Slotted as rock on the Apple Music it’s got more of a punk/metal flow to my ears but we don’t want to harm the delicate sensibilities of the mainstream listeners. Medium big mess here, slicing guitar notes, grizzy bass guitar and thick ka-chunky drums, it’s more muscular rock than I’ve hear in a bit. I skipped the second track Why and it’s uglier and I like it, it’s just a foul bucket of distortion and bashing. I wish more people would get into this rough stuff, it really helps get the bad feels out. Big ups not only to the sounds, but this second track Why is a really creative lyrical smash in the face.